#25 - Wanda Jackson's "Rockin' with Wanda!" (1960)


I'll admit it.  Before last week I had never heard of Wanda Jackson.  I'm no stranger to the rockabilly artists she toured with (Elvis Presley) or the country singers she inspired (Dolly Parton) or the girl group sound she influenced (The Chiffons).  Still, for whatever reason, she had never made a blip on my radar.  It would not be hyperbole to suggest that the concept of a female rock-and-roller is as nearly novel to me as it was to the audiences of the mid- to late-50's.  That is not to say I'm surprised there was a woman bold enough to hang with the boys so much as I can't believe I'm only hearing about her now.  But last week a former student of mine, knowing my penchant for Jack White in general and Van Lear Rose in particular, sent me a link to the video below.  Needless to say, I was intrigued and wasted no time going right to the source.  What I found in Rockin' With Wanda! was the long lost missing link between Kitty Wells, Memphis Minnie, Sister Rosetta Tharpe and Loretta Lynn.  Released less as an album and more as an LP collection of her hit singles to date, the songs on Rockin' run the gamut from country to rockabilly and - on "I Gotta Know" - you hear both, tempo changes and all.  If there is a theme to be had here, it's that Wanda's more than a match for all the no-good hound dogs and tomcats scratchin' at her door.  She's a firecracker all the way, whether she's singing about her "Mean Mean Man" or chastising another for lacking passion on "Cool Love."  You do get the sense that one of the reasons she ended up firmly on the side of country was that many of her contemporaries had more potential crossover appeal.  The twang she "brangs" on several of the tracks sounds more "hillbilly" than "rock."  Occasionally she does display some versatility:  she is, after all, capable of both sweetness and grit.  And then, out of left field, there's "Don'a Wan'a" and "Fujiyama Mama" and I'm not sure what to make of either.  The former is sung in a cringe-inducing Italian accent reminiscent of the Andrews Sisters' island patois on "Rum & Coca-Cola" and the latter begins, "I've been to Nagasaki / Hiroshima, too / the same thing I did to them, baby, I can do to you."  Wow.  They were simpler times, weren't they?  Grade: B

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